About

My work comes from lived experience -- not trends, not formulas, not what's fashionable at the moment.

I've spent years moving between worlds: the raw and refined, instinct and discipline, survival and expression. That tension lives inside the work. I'm interested in what's left when you strip things down to their emotional core - memory, movement, pressure, stillness.

I didn't come up through a clean or predictable path. I learned by doing, by failing, by adapting, and by continuing to create even when it wasn't easy or profitable. That process shaped my voice more than any institution ever could.

The work often sits in between abstraction and feeling - suggestive rather than literal. I'm less interested in explanation and more interested in resonance. If something in the work stays with you, unsettles you, or feels familiar in a way you can't quite explain, then it's doing its job.